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I'm not interested in reviewing everything but I will take the
time to write if I come across something really special. So
don't expect to find bad reviews here. On the other hand if it
is here it's worthy of some extraordinary praise.
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I was a big fan of the first Madagascar, and this is no
disappointment. It has great animation, fun characters and lots
of laughs. It touches on a deeper plot line but it's not the
Lion King and it stays pretty light hearted. At one point they
drop an adorable squirrel off an airplane and for some reason in
this universe it's ok... don't worry the squirrel comes back
before the end of the movie. The audience was laughing out-loud
throughout, as was I, so it's not short on jokes. I love the
visual style, and the textures looked even better this time
around (that could have been the fact that I saw the first one
on DVD and this one in a Digital Cinema). Anyway, highly
recommended.
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Running Scared - Feature Film - 27th September 2008
This is the tale of a right hand man within a criminal
organisation who's actions reveal him to be a much better man
than you'd at first give him credit for. Gripping action,
character's you care about, twists and turns around every corner
and no-one is as black and white as they seem. A cracking film!
I particularly liked all the symbolism and clues left for the
audience to follow. It's wrapped in these fantasy like bookends,
with interspersions of graphic moments throughout the action.
The bookends are accompanied by a musical theme that tugs at the
heart strings and resonates with classic hero movie scores in a
way that makes you realise who this man really is. Well worth a
look.
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Wall-E - Animated feature film - 20th July 2008
I haven't been to many screenings with that many people
cheering, clapping and staying for the credits. Although
admittedly it was the Empire in Leicester Square on opening
night at 8pm... positively the best time and place to see an
animated film, as all the fans and animator's are there. Never
the less it was a really good, well crafted piece of (almost)
silent cinema. The environmental message was appreciated, and
I'd love to be able to have the luxury of turning a company like
Pixar towards the goal of making a good piece of entertainment
that also delivers a strong message like that. Ultimately it's
not a complicated story though, unless you count all the
'procedure' that all the machinery goes through (which
occasionally took me out of the story, as it wasn't always that
interesting in of itself). My biggest criticism isn't a flaw of
the film so much as it's a flaw of the media, like Finding Nemo
and Shrek before it, I feel that it was a little over hyped, and
it's hard to see how these films demand 500% more attention than
many other equal quality films. But I guess that's a matter for
targeting a particular subject matter or theme at the right time
in the public consciousness. At any rate, Wall-E comes highly
recommended and even got me choked up at one point, although
only briefly.
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Kung Fu Panda - Animated feature
film - 11th July 2008
Doooood. There is nothing that can withhold the truly awesome
awesomeness of Kung Fu Panda. I loved it and laughed all the
way. This is a real animator's film. The visuals are glorious,
but it's the animation that really screams! I don't usually like
films loaded with combat unless they're really inventive and
funny and this delivers in spades. Some of the characters are a
little light on depth and can't really emote well through their
stylised designs but fortunately the important characters really
shine. Everything bounces, squashes and wobbles in an appealing
a way. I can't really think of much to fault it on right now, I
guess it takes what I loved about the idea of Pandas and Kung Fu
in my student film Panda Pander
and pluses it tenfold. Just brilliant... and ripe for a sequel.
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Kinky Boots - Feature Film - 29th June 2008
Perhaps a little predictable but it has all the right
ingredients served with a healthy dose of inspiration and
earthiness. Most of the films I like to review are what I would
call ‘re-charge films’ and this certainly fits the bill. It’s a
feel good movie that makes you want to jump up and make a
difference. As someone that’s recently started working in Soho
from the alien northern lands of the Midlands, Yorkshire and
Scotland, this is a big thumbs up for a very good fish out of
water story that was uniquely familiar in its setting.
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This is a controversial film to review. I actually really
enjoyed it in its own right. The only thing that is debateable
is whether it really fits in the Indian Jones universe. It steps
into territory established very well in earlier Spielberg Sci-Fi
films, in particular I’m thinking of A.I. It’s still really good
but some people will debate if it’s perhaps a little ‘over
egged’ in parts, trying too hard to better previous films whilst
also taking advantage of modern techniques. It’s a very
character lead film, as they always were, but Indiana Jones has
so much character history thanks to the TV series it almost
feels like it’s trying a little too hard to stay true to it all
while justifying Harrison Ford’s age. On the other hand some of
the action sequences are really good, masterfully mixing
originality with fun, which is so absent from most other action
films. When all is said and done, it’s definitely worth seeing,
just try to judge it on its own merits and forget about Indy’s
history.
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Horton Hears a Who - Animated feature film - 19th May 2008
Not a sublime piece of emotional film making... but never the
less beautiful to look at and gorgeously animated. I really
enjoyed it, but strangely it wasn't much more than an
exploration of an interesting idea. I know it's meant to be
based on an existing story but personally I rate films on how
they compare alongside any other experience and unfortunately I
didn't really feel like I was on the edge of my seat. Some of
the scenarios could have been shoe horned in and didn't really
feel like they were integral to the film's structure. But the
characters were entertaining and it was so gorgeous to look at
that I didn't care.
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Beowolf - Performance Capture feature film - 17th December
2007
At long last I went to see Beowolf yesterday in a 'Real-D'
screen, and I was a lot more impressed than I thought I'd be.
It's certainly one of the best 3D film experiences I've had. But
controversy aside it's actually a very good film. If I were to
judge it on live action standards then, some of the performances
could be considered a little weak...and if I judge it on
animation standards then many of the performances are a little
weak! I say that just so that there's no technical defence angle
from which to come at this. But despite that it was still a
captivating experience and I really liked the story and
characters. I'll put my animator's hat on now and point out the
usual flaws. The mouths were not animated as strongly as they
could have been, much like Final Fantasy before it although not
as noticeable as that. The camera does some very amateurish
moves at points, although you can tell it may have something to
do with the need to make the 3D experience feel justified. There
are a few too many cheap 3D tricks for the same reason which
just reminds me that I'm sitting in a 3D cinema instead of being
absorbed in the film. There are a few character gestures that
seem half hearted, presumably due to the mocap (or an animator
that's had enough of the mocap process). But the worst sin of
all is the eyes. Most of the time they look like they are either
too far apart or too close together, they look dead a lot of the
time (I was convinced one of the characters was supposed to be
blind for most of the movie). But basically there were too many
shots where the characters failed to convince me that they were
looking at anything. It's really not that hard to do, but it
seems to be an indefinable flaw that I see far to often, and
this film is one of the worst examples I've seen. It's possible
that the 3D technique make this harder to achieve, so I'll give
them the benefit of the doubt and hope that it's better next
time. Despite all of these flaws, leading me to spend too much
time thinking about the process than the story, I still really
enjoyed it and would consider it a success as a piece of
entertainment. Whether it should sit alongside an animated movie
in the Oscars is debatable, since it's not clear whether that
category is rating the best film in animation, or the best
animation amongst animated films.
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Ratatouille - Animated feature film - 18th October 2007
An excellent film, but not quite as inspiring as I was
expecting. But that's hardly a criticism after the likes of The
Incredibles set the bar so high. On the plus side it's not as
commercial as films like Cars and The Incredibles and it doesn't
lean on childhood memories like Toy Story and Finding Nemo. In
many ways Ratatouille went out on a limb…. a long limb, at least
according to the stories that have circulated about how the
marketing men didn't like a film about rats, cooking and Paris.
Unfortunately the late arrival of the film in England coupled
with these fears has meant that we've had large chunks of the
film rammed down our throats for some time and much of the
surprise is gone before we've even seen the movie, which is a
real shame. But I really related to Remy the rat, I see a myself
and a lot of my own story in his plight to bring something to
the world. Overall, a great movie that will be the pride of any
studio's collection. Of particular note was when the critic
reads aloud his own final review. It brought a lump to my throat
and echoed my inevitable words here. I wonder if that was what
Brad was thinking of.
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The Iron Giant - Animated feature film - 22nd July 2007
I've just watched the Iron Giant for the umteenth time and it
still chokes me up. A classic that grabs your heart and sucks
you in, then plays silly putting with it. It's not afraid to
pose enormous catastrophe in the service of a good story. Much
like ET before it you will fall in love with the Iron Giant and
gasp at the horrors that unfold. I wish they'd released a
version with all the extra footage that explained the Giant's
origins more. Great stuff.
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This documentary film spells the end of so many of my dreams.
You go through school, college, university and your early career
studying and dreaming for the ultimate goal of landing that
dream life in Disney as a 2D animator, but before you had a
realistic chance of getting there it's all fading away. I could
see Disney suffering and 2D teetering off it's pedestal during
my University years. I was just lucky that my first job was in
computers with a company gracious enough to train me, because
that gave me a reformed foundation and a safety net. This
documentary just reminds me of all those silly dreams and nails
the coffin shut. It's good in a way because it helps the
grieving process, and makes it easier to move on. It reminds me
of all those less fortunate that may not have had the insight to
save themselves before computer animation became the dominant
market, and re-affirms my attitude towards helping other worthy
artists find their feet in this industry. This film isn't a
great new idea or an amazing piece of cinema, it's just a
heartfelt and well crafted window into an incredibly personal
experience. I can highly recommend it to any animator over the
age of 30, it's cheaper than a therapist. Everyone younger than
that may just find it depressing, but never the less insightful.
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TMNT - Animated feature film - 6th April 2007
I used to be a huge fan of the first cartoon series so this was
mandatory viewing. But I wasn't sure what to expect, having
heard very little about it. Ultimately I was very impressed. It
was a good ride, with gorgeous animation, visuals and
cinematography. The plot is a little flawed and feels a bit
'Saturday morning' but it can be overlooked in the light of
everything else. The characters were given some meaty twists to
deal with even if they weren't taken as far as I'd have liked.
The main baddy wasn't your typical black and white foe. There
were a few too many side characters thrown in purely to flesh
the film out with excuses to fight but that was to be expected
of the Turtles. At least the fights were interesting. The
biggest draw for me though was the animation. It felt really 2D
in many ways and really relished strong, dynamic poses and
exaggerated timing. It just made me want to rush off and animate
something physical. But even when the animation was acting and
performance based (rather than physical) it was really strong
(if you can over look a little over mouthing of the lip-sync).
I'm looking forward to getting this one on DVD.
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The Prestige - Live action film - 6th April 2007
Put simply... I was on the edge of my seat for the whole film
and couldn't even pause it to go and get some ice cream! It uses
a very layered approach to giving you all the clues to what's
happening and cuts forward and backward within the local
timeline. It keeps you guessing and had me questioning every
aspect for hours after the film. I really enjoyed this. I doubt
it would be as good a second time since all it's mysteries are
best seen fresh, before you've had a chance to analyse all the
possibilities. Overall I loved this and could easily have sat
through a longer version, but then I guess it just did a great
job of leaving me wanting more!
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It's been a while since I'd seen this one but it had always
stuck in my mind as one of the best portrayals of Batman there
was, and now that I've refreshed my memory... I'm tempted to say
it is the best. It has all the elements that so few other
versions of Batman are bold enough to address, i.e. his love
life, how he became batman and dealt with the day to day trails
of coping with his self imposed responsibility, we see cracks
form in his relationship with Alfred, we see him go it alone and
we see him tortured with the prospect of giving up his
responsibility to allow himself to be happy. We learn about who
the Joker used to be before his accident and we see the
lifelines of several of the more interesting characters in
Batman's universe play out in relation to his own developments
as a hero. All of this and it has a great art style yet to be
beaten. The score is powerful and has been a part of my
collection for years. I'm really glad I dug out this classic.
Someone just needs to make a slicker CG version of it to
introduce it to a new generation that previously would have
dismissed it as nothing more than an extension of the cartoon.
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Monster House - Animated feature film - 7th of August 2006
I didn't expect much from this at first but was pleasantly
surprised with what feels like a fresh take on an animated film.
Granted, we've seen films like this (think Spielberg's early
years) and we've seen CG movies using mocap, but some how this
came across as a fresh mix. It kept the audience laughing and
kept me interested. It's good solid, but simple, story with
(admittedly) stereotyped characters... but never the less strong
characters. The faces weren't 100% right (as was expected) but
they were so much better than the last film to feature a similar
approach (not naming names), that you forgive it. In fact it was
interesting seeing just how much of the subtle performance you
usually don't see in animation managed to seep through (although
a little muted by the technique). When the film finished the
director took centre stage to discuss his work and answer
questions. All in all a good film and a fascinating evening.
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Over the Hedge - Animated feature film - 27th of June 2006
So funny it nearly brought a tear to my eye (during the slow-mo
scene)! The audience was consistently in stitches. I don't
remember a film so infectiously funny, but then there were a lot
of animators in the room so it may have been a little biased -
it was a real animator's movie! I've seen better stories and it
reminded me a little too much of Toy Story (because it hit so
many of the same themes and settings), but if you can get over
that it was highly entertaining.
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The Prince of Egypt - Animated feature film - 21st of April
2006
Untouchable! This movie gives me hope for my medium of choice. I
can't praise it enough, and I just wish the audience had been
there when it deserved it. Still, to this day, it goes
unrecognized and overlooked. It's a powerful tale of
intolerance, betrayal, altered perceptions, racism, love, and
responsibility. The Pharaoh's blindness to the slaves he
commands is masterfully balanced by his lifelong burden of
upholding his father's misconceived ideals. Moses' character arc
swings gracefully and convincingly from that same blindness to
one of defiance against it, posing an unbearable conflict
against his childhood brother, the Pharaoh. This brings to
screen probably the best portrayal of an animated relationship
I've ever seen. Their bond is deep and meaningful, and their
opposition painful and captivating. The performances are spot
on, the animation superb and... well I could go on... suffice to
say there is so much to praise. The soundtrack is astonishing
and some of the scenes have been the mainstay of my
demonstration material every time someone wants to see my home
cinema at it's best. Sure... there are a few flaws; it didn't
really need the comic court jesters and Moses' relationship with
his wife doesn't have the magnitude it could have had, but it
was inevitable that it wouldn't with the amount of screen time
the story has to play out on. Make no mistakes this film is a
dramatic piece and deserved the canvas of an epic, but
unfortunately faced the preconceptions of a narrow minded
audience that was expecting another animated comedy. Then there
is the other school of thought that it's a religious film and
therefore may contain preachy or inaccurate material (depending
on your religious persuasion), but personally I judge it as a
film first, and on that ground it's awe-inspiring. I'll die
happy if I can accomplish something this strong in my lifetime
and reach the hearts of the masses.
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The Notebook - Live action film - 9th of February 2006
You've seen this film before. The characters, the clichés, the
situations - boy meets girl, boy loses girl, boy gets girl back.
It doesn't even follow the usual formula to raise the stakes
before the end of the movie. It just is, what it is... and what
it is... is beautiful. A simple, touching and romantic tale that
gives you exactly what you want. It's a little fairytale like in
it's idealization of true love but in this day and age that is
truly refreshing.
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Minority Report - Live action film - 30th of December 2005
I never used to like Tom Cruise during his Top Gun years but
I've definitely grown to have a great deal of respect for his
work now. I watched this practically back to back with Jerry
Maguire and he consistently gives an intense performance that it
utterly watch-able. Some people don't like his style and it
doesn't always suit every movie but fortunately he's very picky
about his projects and this was right up his ally. There's a
sprinkling of Spielberg's humour in there that some people have
said ruins the mood but I like it. In the end it's the film noir
stream of twists in the last third of the film that have been
perfectly built up to, that really nail it. It makes me want to
turn straight to my keyboard and dive into my own stories, and
anything that can inspire me like that (especially after seeing
it a few times already) is definitely worthy of my attention.
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Toy Story 2 - Animated feature film - 30th of December 2005
I was watching this over the Christmas holiday with the family
on TV and, having seen it numerous times (we all had), I was
fully prepared to kick back and read a book. Generally I'm not
into seeing repeats and if I'm seeing a classic from my DVD
collection I'd rather appreciate it on a decent home cinema
setup so I wasn't going to bother watching this. But I simply
couldn't do it. I was captivated and while I occasionally
wrestled with the idea of returning to my book, I simply
couldn't take my eyes off it. It just keeps you glued to the
set. Every new piece of jeopardy the characters go through is an
unexpected twist and perfectly believable, but more than that
it's compelling and unpredictable. Other animated features fall
way to quickly into the usual clichés of good versus evil with
set pieces designed simply to tick all the boxes, and your
average audience can tell (I've recently found myself giving up
on some animated features before they've finished - that's not
like me at all!). It's the characters and the believable
situations that are built on a spin on life as we know it that
draw you in. Fantastic stuff.
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Inside I'm Dancing - Live action film - 10th of December
2005
This is a realistic and utterly refreshing depiction of two
severally handicapped young men trying to make a life for
themselves outside of the system they have been left in by their
families. It will bring a lump to the throat of anyone with half
a heart. Touching and considerate film making, that leaves you
feeling nothing but good will. There's no black and white in
this. Worth seeing.
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I think I was grimacing throughout the entirety of the film! It
was gruesome and powerful but strangely compelling. I do think,
however that a period of getting to know the principle
characters would have helped me feel more involved. You can
argue that we know them all already, but that doesn't change the
fact that you need a warm up in order to get you in the right
frame of mind to really relate to them. Of course Arguably you
wouldn't want to relate to this film. It's not really a story,
it's more of a cleansing experience. It sits along side films
like 'Schindler's List' as one that I never want to put myself
through again (despite having seen that one three times now),
but I don't regret having seen it and I believe it is a very
strong piece of cinema that I will forever remember.
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Pieces of April - Live action film - 23rd of March 2005
It won’t knock your socks off or even make it into your top ten.
Chances are you’ll have forgotten it a week later, but Pieces of
April stands out as one of the most touching and “real” films
I’ve seen in a long time. It’s refreshingly free of gloss and
glamour, and yet grabs you from the first frame to the last.
It’s not “kitchen sink”, but it manages to show us some very
real characters in a rundown setting. Yes, it pulls off a happy
ending, but it takes us everywhere else first in a way that is
so realistic that we really appreciate the relief from the pain
at the end. Not that it’s unpleasant viewing, far from it. It
will make you laugh out load and most importantly identify with
the experiences laid bare on the screen. I’d like to say I can
heartily recommend it, but it won’t be to everyone’s tastes and
it’s likely that some people just won’t be able to relate to it.
For those that can it’s well worth a couple of hours of your
time.
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This is the God im to end all God Sims created by the master of
the original God Simulation, Populous (Peter Molyneux). I'd been
anticipating it's arrival for some time and when I started it I
couldn't put it down (which takes some doing for me - I'm not
easily impressed). It's hard to outline what it's all about, so
I won't I'll just say that no other game has made as much of an
impression on me. In a market full of so much dross it stands
out as a beacon of hope for the games industry. It's innovative,
completely unique, satisfying, engaging, beautiful, and
re-playable.
I liked it so much that I even played through the expansion
pack, but aside from some new abilities and monsters it's best
to stick the the original. Even to this day I'm tempted to go
back and play through it again - if only I had that much time to
spare! I look forward to the sequel but I know that the chances
of it having as much impact are slim, still... here's hoping.
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Aladdin - Animated feature film - 7th Feb 2005
This was the one that clinched it! I had a pretty good idea I
wanted to be an animator before Aladdin, but it was sitting in
the cinema watching this for the first time that I knew it.
The score is still one of Disney's best and most powerful, while
the songs ring true to me even today (especially Aladdin's solo
in his den). The colour pallet for the entire film is rich and
varied. The animation is spot on (I'd do anything to have been a
part of it's creation) and some of the transformations are
fantastic. The story is rock solid and manages to keep itself
alive and kicking with surprises even after you think it's all
over. The characters are perhaps a little stereotyped but I
can't fault them, Jafar is still my favourite bad guy of any
movie (my hat's off to Andreas Deja and his team of animators).
You have to respect the nemesis for them to be formidable,
that's why I can't stand zombies they're just cardboard ducks
flipping up to be knocked down in a shooting range - pointless,
mindless and unworthy of my respect. But Jafar just oozes
deception and cunning with every turn of his eye, add to that an
excellent design and he'll take some beating.
Aladdin still ranks as one of a handful of my absolute favourite
films, absolute magic.
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The Incredibles - Animated feature film - 26th Nov 2004
The words "Dude"... and... "Awesome" don't come out of my mouth
very often but... awesome dude! I just came out of The Incredibles and I can heartily recommend it. Everything seems
Super-ised since I walked out of the cinema. I had to check the
tyres on my vehicle to be sure they weren't flat... my car
looked lower to the ground and more streamlined than I remember!
It doesn't pander to the kids as much as previous Pixar movies
either, which will please the teens, but will probably concern
the parents when they have to keep their rascals occupied during
the less action oriented portions of the film. In my view this
isn't a criticism, but a step in the right direction. Pixar is
making enough films now to allow itself the opportunity to
target older audiences. After all animation is just a medium, it
isn't the exclusive domain of the family audience.
Great stuff! I don't often get a buzz like this from a movie
these days (too jaded!) but this reminded me why I do what I do.
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